ABC insisted on a domestic executive producer to act as a proxy for network brass, and Philip DeGuere, whose earlier credits included Simon and Simon and CBS' Twilight Zone revival, was hired.
Apart from the impact Max was making on pop culture, did ABC know what they were getting into? team - producer Peter Wagg, writer Steve Roberts, actors Matt Frewer and Amanda Pays - had reservations. production, ABC took a chance on the property, although the core of the U.K. With the Lorimar company taking the reins for the U.S.
And even though the show looks in hindsight like a product of its time, the storytelling is more relevant than ever. The television show looked like a nasty fever dream of tomorrow, but it was making sardonic comments about its present. The potential of viewers exploding could be dismissed as an unintended consequence of getting better returns for corporate stakeholders. Average citizens could be kidnapped and sold for organ transplants on the black market.
#MAX HEADROOM COKE SERIES#
Likewise, the Max Headroom series that eventually aired on ABC in the States dramatized oppressors against the oppressed. Stories of white people confronting Black people or rich people taking advantage of poor people wouldn't fly, so Serling substituted in people versus aliens and the living confronting the dead. Twilight Zone creator Rod Serling was very transparent about this, saying the show's morality tales were refashioned as fantastic allegories to get them past CBS brass. Science fiction is often a palatable way of delivering difficult content to a public that might reject it otherwise.
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